Zhejiang Jingkun Art Center (Kun Opera Troupe) to perform classic Kunqu plays and excerpts in Hong Kong in August (with photos)
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Kunqu opera gained popularity in the Kunshan area of Suzhou during the Yuan and Ming periods. It has been described as "the mother of Chinese operas", and was listed by UNESCO as one of the "Masterpieces of the Oral and Intangible Heritage of Humanity" in 2001. It is renowned for its elegant libretti commended for literary merit and delicate dance movements.
Details of the three performances are as follows:
"Fifteen Strings of Cash"
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Date and time: August 15 (Friday), 7.30pm
Departing from Kunqu opera's typical themes of scholar-beauty romance, "Fifteen Strings of Cash" recounts a mysterious murder case triggered by 15 strings of copper coins. This gripping tale follows Judge Kuang Zhong, who overturns a wrongful conviction and uncovers the true culprit, a cunning trickster named Lou Ashu (Lou the Rat). The excerpt "An Investigation in Disguise" features a masterful interplay between the laosheng (old male) and the chou (comic) roles, representing the pinnacle of operatic artistry. This play was first performed by the troupe's Chuan-generation artists Zhou Chuanying and Wang Chuansong, and has been passed down through five generations over 70 years. The upcoming performance features Bao Chen and Tian Yang of the Wan generation in the lead, who uphold the legacy with this timeless classic.
"The Lioness Roars"
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Date and time: August 16 (Saturday), 7.30pm
As one of the rare light comedies in Kunqu opera, "The Lioness Roars" retains the elegance of Kunqu's lyrical singing while infusing the scholar-beauty romance with a touch of mundane charm, making it a staple of the Kunqu repertoire. The play follows the story of Chen Jichang, a talented scholar who appears timid but deeply devoted to his wife Madam Liu (the Lioness of Hedong). She is portrayed as dominating and prideful, but never to the extent of being objectionable. Chen's friend Su Dongpo tries to mediate but only adds fuel to their quarrels. Through the couple's everyday squabbles, the play highlights the importance of family harmony. The play is one of the signature works of Kunqu master Wang Shiyu. Now, the troupe's star duo Zeng Jie and Hu Ping of the Wan generation take on the roles of this quarrelsome yet loving couple, promising a performance of exceptional artistry.
Traditional Opera Excerpts
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Date and time: August 17 (Sunday), 2.30pm
The finale will present five opera excerpts drawn from classic masterpieces of Kunqu opera featuring "The Celestial Place" from "The Dream of Nanke" (one of Tang Xianzu's "The Four Dreams at Linchuan" of Ming dynasty); "Cancelling the Birthday Celebrations" from the zaju play "The Pavilion of Chanting in the Wind" of Qing dynasty; "Rendezvous at the Pavilion" from the chuanqi "Red Pear Blossom" of Ming dynasty; "Entrusting His Son" from "The Beauty Washing Silk by the River", the earliest chuanqi in Kunqu; and the spectacular martial piece "Fighting on the Water" from "Leifeng Pagoda". This programme combines both civil and martial pieces, with the troupe's outstanding actors demonstrating their exceptional artistry, which makes the performance a must-see for opera enthusiasts.
Zhejiang Jingkun Art Center (Kun Opera Troupe) was established in 2019 through the merger of Zhejiang Kunqu Opera Troupe and Zhejiang Peking Opera Troupe. The Zhejiang Kunqu Opera Troupe, founded in 1956, brought Kunqu opera back into the national spotlight when it adapted the traditional play "Dream of Two Bears" into "Fifteen Strings of Cash". This production became a landmark in Chinese opera reform, with People's Daily publishing an editorial, hailing it as "a single play that revived an entire genre". The success spurred the establishment of Kunqu troupes across China. Over the years, the troupe has nurtured outstanding talents, maintaining a lineage of six generations of performers, namely Chuan, Shi, Sheng, Xiu, Wan and Dai. It has also produced numerous award-winning works, earning widespread recognition.
The three performances will be held at the Auditorium of Ko Shan Theatre New Wing. Lyrics and dialogue are with Chinese and English surtitles. Tickets priced at $250, $350 and $450 are now available at URBTIX (www.urbtix.hk). For telephone bookings, please call 3166 1288. Group booking discounts and package booking discounts are available for purchasing selected CCF stage programmes, the "Chinese Opera Film Shows" of the COF 2025 and the "Legacy and Vision: Conversations with Chinese Cultural Masters" lecture. For programme enquiries and concessionary schemes, please call 2268 7325 or visit www.ccf.gov.hk/en/programme/zhejiang-jingkun-art-center-kun-opera-troupe.
The programme will also feature two Kunqu opera masterclasses (in Putonghua), with actors Hu Ping and Zeng Jie to share the crafting of Dan (female) roles and Sheng (male) roles in Kunqu respectively. The two sessions will be held at 2pm and 4pm on August 14 (Thursday) at AC2, Level 4, Administration Building, Hong Kong Cultural Centre. In addition, a meet-the-artists session entitled "Six Generations of Kunqu Performers: The Sustaining Growth of the Zhejiang Kunqu Opera Troupe" (in Putonghua and Cantonese) will be held at 7.30pm on the same day at the same venue. The speakers include Gu Jiong, Bao Chen, Zeng Jie, Hu Ping and Tian Yang, while Chinese opera researcher Chan Chun-miu will be the moderator. Additionally, a demonstration talk entitled "Kunqu Classics as a Living Tradition" (in Putonghua) will be held at 5pm on August 18 (Monday) at the Theatre, Block I, Jao Tsung-I Academy. The speakers include actors Wu Xinyi and Wang Hengtao. Admission is free. Since the quotas for online registration are full, those who are interested may wait at the venue's entrance for a standby quota on the day of the session. Any unclaimed spots will be released 10 minutes after the session begins on a first-come, first-served basis.
The CCF, presented by the Culture, Sports and Tourism Bureau and organised by the Chinese Culture Promotion Office under the LCSD, aims to promote Chinese culture and enhance the public's national identity and cultural confidence. It also aims to attract top-notch artists and arts groups from the Mainland and other parts of the world for exchanges in Chinese arts and culture. The CCF 2025 is held from June to September. Through different performing arts programmes in various forms and related extension activities, including selected programmes of the COF, "Tan Dun WE-Festival", film screenings, exhibitions, as well as community and school activities and more, the festival provides members of the public and visitors with more opportunities to enjoy distinctive programmes that showcase fine traditional Chinese culture, thereby facilitating patriotic education and contributing to the inheritance, transformation and development of traditional Chinese culture in Hong Kong. For more information about programmes and activities of the CCF 2025, please visit www.ccf.gov.hk.
Ends/Thursday, July 24, 2025
Issued at HKT 14:35
Issued at HKT 14:35
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