HKMoA's new exhibition unveils and showcases three preeminent collections in Hong Kong for first time (with photos)
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The exhibition, presented by the Leisure and Cultural Services Department, is jointly organised by the HKMoA and the Art Museum of the Chinese University of Hong Kong (CUHK). Addressing the opening ceremony held today (June 10), the Director of Leisure and Cultural Services, Ms Manda Chan, said that in the mid-20th century, Chinese national treasures were featured in a large quantity in Hong Kong. Foreign art dealers and collectors were highly enthusiastic to acquire these treasures. With the resolve to retain these embodiments of Chinese heritage on home soil, the three collectors were determined to collect ancient Chinese masterpieces. The three world-class private treasured collections, namely Xubaizhai, Chih Lo Lou and Bei Shan Tang, were thus built up. Moreover, the three collectors and their families donated their invaluable collections to the HKMoA and the Art Museum of the CUHK for exhibition and educational purposes, providing the public with the opportunity to appreciate Chinese painting and calligraphy. The three collectors and their families, committed to preserving and promoting Chinese culture, have demonstrated their honourable generosity.
Other officiating guests included Pro-Vice-Chancellor of the CUHK Professor Anthony Chan; the Chief Executive Officer of Bei Shan Tang Foundation, Ms Lillian Kiang; the Chairman of the Art Sub-committee of the Museum Advisory Committee, Professor Desmond Hui; and the Museum Director of the HKMoA, Dr Maria Mok.
The three preeminent collections stand out in distinctiveness. The Xubaizhai Collection covers the major Ming and Qing schools, fully epitomising the development of Chinese painting and calligraphy traditions. Highlight exhibits include Dong Qichang's "Landscape and Calligraphy in Running Script", "Illustrations for the Odes of Qi" attributed to Ma Hezhi, Zhang Feng's "Scholar by an Old Tree" and Luo Pin's "The Realm of Ghosts".
The Chih Lo Lou Collection, under the guiding collecting principle of "artist before his art", emphasises works from the Ming-Qing transition. Huang Daozhou's "Pines and Rock", Zhu Da (Bada Shanren)'s "Landscapes", Wu Bin's "Misty River and Piled Peaks" and Jinshi's "Poems and Essays in Running-cursive Script" are some of the highlight exhibits.
The Bei Shan Tang Collection, rich in both paintings and calligraphies spanning a number of dynasties, especially the Ming and Qing periods, is notable for its leading masters, while some of the works are rare or the only extant pieces by the respective artists. Highlight exhibits include Wen Zhengming's "Ci-poem for Xu Lin in Running Script", Tao Xuan's "Pavilion against Distant Mountains", and Wang Chong's "Loan Agreement in Running Script" and "Garden after Snow" during the Southern Song dynasty.
The HKMoA has also invited Hong Kong artist Yau Wing-fung to draw inspiration from the varied perspectives and stylised rocks and mountains in late Ming and early Qing painter Huang Xiangjian's depictions of his reunion journeys in the three preeminent collections, and to create two installations "To and Fro" and "Mirage Harmony", which retell the unique story of the distinctive landforms of Hong Kong's 18 administrative districts from a contemporary perspective.
The exhibition will be held at the Chih Lo Lou Gallery of Chinese Painting and Calligraphy, the Wu Guanzhong Art Gallery and the Jingguanlou Gallery on the fourth floor of the HKMoA (10 Salisbury Road, Tsim Sha Tsui, Kowloon). Admission is free. Sponsored by Bei Shan Tang Foundation, the exhibition is accompanied by a catalogue and an international academic lecture series. Scholars from the region and overseas will deliver talks on appreciating Chinese paintings and calligraphy, as well as the history of Chinese art collections in various places. For details of the exhibition and related activities, please visit the website at hk.art.museum/en/web/ma/exhibitions-and-events/the-pride-of-hong-kong.html.
The exhibition is also one of the activities in the Chinese Culture Promotion Series.
Ends/Tuesday, June 10, 2025
Issued at HKT 20:40
Issued at HKT 20:40
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